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Van Eyck by Till-Holger Borchert, Jan Dumolyn, Maximiliaan Martens
- Van Eyck
- Till-Holger Borchert, Jan Dumolyn, Maximiliaan Martens
- Page: 490
- Format: pdf, ePub, mobi, fb2
- ISBN: 9780500023457
- Publisher: Thames & Hudson
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Often imitated but never equaled, Jan van Eyck (c. 1390-1441) left an indelible impression on Renaissance art and paved the way for future realist painters. With its unprecedented precision and masterful use of color, The Arnolfini Portrait, depicting the wedding of a young couple, is testament to the mastery of Flemish painter, leader of the Early Netherland School. Van Eyck painted both secular and religious subject matters, emphasizing a Naturalism and Realism that moved seamlessly between 15th century everyday life and poetic, heavenly settings. Working with oil paint, he innovated the medium, allowing for great intensity and depth of color. Trace the artist’s impressive oeuvre in this hardcover survey of his work, including altarpieces, single panel religious figures, and commissioned portraits. Featuring enlarged details and close analyses of masterpieces like The Ghent Altar, this publication also offers a chronology of van Eyck’s production, including the output of his workshop which continued even after his death.
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Jan van Eyck was a major figure in the painting revolution taking place in the Low Countries during the early part of the 15th century.
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Dec 2, 2020 - Jan van Eyck was a Flemish painter active in Bruges. He is one of the early innovators of what became known as Early Netherlandish painting,
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One of the most celebrated paintings of the Northern Renaissance, Jan van Eyck's 1430s Annunciation depicts the moment of Christ's conception in a world of
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Jan Van Eyck, The Arnolfini Portrait, tempera and oil on wood, 1434 (National Gallery, London
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Jan van Eyck is the most famous member of a family of painters traditionally believed to have originated from the town of Maaseik, in the diocese of Liège.
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The most famous of the van Eyck family of painters, Jan van Eyck brought a heightened degree of realism to the traditional themes and figures of late Medieval
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